KLET Contemporary is open Thursdays 16:00-18:00, otherwise by appointment.
+46735721998, +46762338551
Alla arrangemang på KLET Contemporary är gratis./All events at KLET Contemporary are free.
+46735721998, +46762338551
Alla arrangemang på KLET Contemporary är gratis./All events at KLET Contemporary are free.
Conny Blom, Keep the Pace Motherfuckers, June 12 - June 28, 2026
Keep the Pace Motherfuckers presents a series of works by Conny Blom centred on nationalism, militarisation, and the dismantling of the welfare state. Through installation, sound, text, and artist books, Blom explores contemporary political and economic developments, moving between social critique, satire, and poetry. Taking Swedish institutions, symbols, and language as points of departure, the works examine how ideas of security, identity, and democracy are shaped through the intersections of capital, the defence industry, and political rhetoric..
Conny Blom (b. 1974) is a Swedish multimedia artist whose practice often investigates hierarchies and uncovers alternative readings through the remediation of pre-existing material. His work frequently engages with themes of law, censorship, economy and class. Blom is also the initiator and curator of CAC Bukovje/Landskrona (together with Nina S Blom)and serves as curator at Åstorps konsthall.
https://connyblom.com/artprojects.html
https://connyblom.com/artprojects.html
UPCOMING:
2026
- Hanna Mattes, Sept 5 - 20, 2026
- Terese Molin, Nov 6 - 22, 2026
- Sarah Lucas: WHEN IS SHE HERE? Nov 28 - Dec 31, 2026 (Winter Light III)
2027
- Basim Magdy Jan 9 - Feb 28, 2027 (Winter Light III)
- Kinga Molińska, March 12 - 28, 2027
- Stefano Conti, May 7 - 23, 2027
- Alexander Gutke, Sept 10 - 26, 2027
- Anna Cherednikova, Nov 5 - 21, 2027
2028
- Klara Sax: Laundry Room at Hotel Park, 1977, winter 2028
- Hanna Mattes, Sept 5 - 20, 2026
- Terese Molin, Nov 6 - 22, 2026
- Sarah Lucas: WHEN IS SHE HERE? Nov 28 - Dec 31, 2026 (Winter Light III)
2027
- Basim Magdy Jan 9 - Feb 28, 2027 (Winter Light III)
- Kinga Molińska, March 12 - 28, 2027
- Stefano Conti, May 7 - 23, 2027
- Alexander Gutke, Sept 10 - 26, 2027
- Anna Cherednikova, Nov 5 - 21, 2027
2028
- Klara Sax: Laundry Room at Hotel Park, 1977, winter 2028
Past exhibitions:
2026
- Leon Zuodar: Analogue Displays Off_ (Maj 9 - Maj 24, 2026)
- Jesse Darling (Winter Light II) (Feb 11 – March 15, 2026)
2025
- martha rosler: In our sights, in our hearts, in our minds—in our present, past, and future (Winter Light I) (Dec 23, 2025 - Jan 31, 2026)
- Jonathan Monk, Something To See Something To Hide/ Nothing To See Nothing To Hide, collaboration with Landskrona konsthall (Oct 4 - Nov 23)
- unofficial program, Klara Sax: The Spring Show, (Pop-up exhibition; Oct 10 - Nov 2)
- Christoph Draeger and Heidrun Holzfeind: Everything Is All the Same, Until It Isn’t (Aug 29 - Sept 28,)
- Viktor Bernik: Boil (May 10 - May 25)
- Nina Slejko Blom: Silence (Feb 21 - March 16)
2024
- Lela B. Njatin: Collectively fixing in Landskrona (Nov 16th – Nov 30)
- Ariadna Mangrané: Hevea's delusion (Oct 4 - Nov 3)
- unofficial program: sneak preview, Nina Slejko Blom: This Person Does Not Exist
(Aug 31 - Sept 29)
2026
- Leon Zuodar: Analogue Displays Off_ (Maj 9 - Maj 24, 2026)
- Jesse Darling (Winter Light II) (Feb 11 – March 15, 2026)
2025
- martha rosler: In our sights, in our hearts, in our minds—in our present, past, and future (Winter Light I) (Dec 23, 2025 - Jan 31, 2026)
- Jonathan Monk, Something To See Something To Hide/ Nothing To See Nothing To Hide, collaboration with Landskrona konsthall (Oct 4 - Nov 23)
- unofficial program, Klara Sax: The Spring Show, (Pop-up exhibition; Oct 10 - Nov 2)
- Christoph Draeger and Heidrun Holzfeind: Everything Is All the Same, Until It Isn’t (Aug 29 - Sept 28,)
- Viktor Bernik: Boil (May 10 - May 25)
- Nina Slejko Blom: Silence (Feb 21 - March 16)
2024
- Lela B. Njatin: Collectively fixing in Landskrona (Nov 16th – Nov 30)
- Ariadna Mangrané: Hevea's delusion (Oct 4 - Nov 3)
- unofficial program: sneak preview, Nina Slejko Blom: This Person Does Not Exist
(Aug 31 - Sept 29)
Winter Light
A series of exhibitions illuminating the winter darkness. During the cold, dark months, KLET gallery transforms into a lightbox. Exhibitions by remarkable artists are visible from the outside, for the whole town to enjoy. The title also nods to Bergman’s Winter Light — a meditation on doubt, faith, and endurance in the northern gloom.
This season, martha rosler and Jesse Darling will be lighting up our days.
This season, martha rosler and Jesse Darling will be lighting up our days.
Winter Light
En serie utställningar som lyser upp vintermörkret. Under de kalla, mörka månaderna förvandlas KLET till en ljuslåda. Utställningar av framstående konstnärer är synliga utifrån, för hela staden att ta del av. Titeln anspelar också på Ingmar Bergmans Nattvardsgästerna (Winter Light) — en meditation över tvivel, tro och uthållighet i det nordliga mörkret.
Den här säsongen kommer martha rosler och Jesse Darling att lysa upp våra dagar.
En serie utställningar som lyser upp vintermörkret. Under de kalla, mörka månaderna förvandlas KLET till en ljuslåda. Utställningar av framstående konstnärer är synliga utifrån, för hela staden att ta del av. Titeln anspelar också på Ingmar Bergmans Nattvardsgästerna (Winter Light) — en meditation över tvivel, tro och uthållighet i det nordliga mörkret.
Den här säsongen kommer martha rosler och Jesse Darling att lysa upp våra dagar.
past events
Winter Light II:
Jesse Darling,
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February 11 – March 15, 2026
The exhibition in Winter Light Series are visible from the street. The lights are on daily between 8:00-19.00.
A children’s workshop will be followed by a finissage on March 14. Everybody welcome, RSVPs are appreciated.
A children’s workshop will be followed by a finissage on March 14. Everybody welcome, RSVPs are appreciated.
December 23, 2025 - January 31, 2026 martha rosler:
In our sights, in our hearts, in our minds—in our present, past, and future
Roses are red, violets are blue, we make the world, but the world makes us too
We live in a material world, one honed and shaped by culture. For many of us, if we take the time to notice, our world is a kind of "second nature"—constructed, fabricated, manufactured, and now, image-driven. Technological change is galloping along, and the facts we live by are shifting, becoming undone. Industrialization has colonized not just labor but the mind.
For those no longer living on the land, we see the natural world as separate. We continue despoiling the material world, denigrating and destroying it, but we cannot help holding onto it—we cannot live without it, for we are part of it. We have disenchanted our world picture, but we remember that world, we mystify it, we long for it, we fetishize it. The mythologies, demons, and charms we associate with "Nature" remain powerful, as do its mysterious cycles, its infinite complexity, its boundless aesthetic beauty. We teach our children about it, and we render its images poetically: "Let me compare thee to a summer's day." We decorate our household goods with its images, and we plant gardens for food, and pleasure, and (sometimes) community. We see the growth of the natural world as echoing our own.
We go to the woods and the forests, to the green cemeteries and glorious botanical gardens, in summer and in winter, in spring and in fall, and our lives are set with flowers from birth to the grave. We surround and adorn ourselves and our spaces with flowers in ceremonial arrangements, for weddings, births, and deaths, and for most other occasions, joyous and solemn.
Inauspiciously, tomorrow we may be dreaming a world stitched together in distracting hallucinations, out of whole cloth. and yet the living, green, and flowered world remains in our sights, in our hearts, in our minds, and in our present, past, and future.
martha rosler, 2025-12-22
We live in a material world, one honed and shaped by culture. For many of us, if we take the time to notice, our world is a kind of "second nature"—constructed, fabricated, manufactured, and now, image-driven. Technological change is galloping along, and the facts we live by are shifting, becoming undone. Industrialization has colonized not just labor but the mind.
For those no longer living on the land, we see the natural world as separate. We continue despoiling the material world, denigrating and destroying it, but we cannot help holding onto it—we cannot live without it, for we are part of it. We have disenchanted our world picture, but we remember that world, we mystify it, we long for it, we fetishize it. The mythologies, demons, and charms we associate with "Nature" remain powerful, as do its mysterious cycles, its infinite complexity, its boundless aesthetic beauty. We teach our children about it, and we render its images poetically: "Let me compare thee to a summer's day." We decorate our household goods with its images, and we plant gardens for food, and pleasure, and (sometimes) community. We see the growth of the natural world as echoing our own.
We go to the woods and the forests, to the green cemeteries and glorious botanical gardens, in summer and in winter, in spring and in fall, and our lives are set with flowers from birth to the grave. We surround and adorn ourselves and our spaces with flowers in ceremonial arrangements, for weddings, births, and deaths, and for most other occasions, joyous and solemn.
Inauspiciously, tomorrow we may be dreaming a world stitched together in distracting hallucinations, out of whole cloth. and yet the living, green, and flowered world remains in our sights, in our hearts, in our minds, and in our present, past, and future.
martha rosler, 2025-12-22
Oct 4 - Nov 23, 2025, Landskrona konsthall
Jonathan Monk
Something To See Something To Hide/ Nothing To See Nothing To Hide
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Leon Zuodar: Analogue Displays Off_ (Maj 9 - Maj 24, 2026)
Klara Sax-The Spring Show
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Pop under on Oct the 10th!
Pop-up exhibition featuring Klara Sax. The Spring Show is a photo exhibition by international artist Klara Sax, known for her characteristic humour. While her work often evokes smiles, Sax takes art dead seriously—and expects the same from her audience. The exhibition explores visual and linguistic ambiguities through playful twists that challenge perception and meaning. October 10 - Nov 2, 2025 |
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Christoph Draeger and Heidrun Holzfeind, Aug 29 - Sept 28, 2025
Performance & vernissage, "Everything Is All the Same, Until It Isn’t" With a special appearance by Tarek Al Abbar
August 29, 17.00-19.00 |
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